As soon a I read that Jenny Lund Madsen is an acclaimed scriptwriter – her work includes the international hit, Follow the Money, which is one of my favourites – I knew I was in for a treat with her début literary thriller, Thirty Days of Darkness translated by Megan E. Turney. Indeed Thirty Days of Darkness won the Harald Mogensen Prize for Best Danish Crime Novel of the year and was shortlisted for the coveted Glass Key Award.
This novel is a dark but sometimes humorous narrative following the trials of Danish literary novelist Hannah Krause-Bendix who, having taken up the challenge to write a popular crime novel in a month, finds herself in a small town in Iceland where two days after her arrival a murder takes place – or at least a suspicious death. The victim is the nephew of her host, Ella, who speaks neither Danish or English but manages to communicate a little via writing the latter – after a fashion. The limited hours of of daylight and the haunting landscape play a major role in creating mood and motivation.
Never having had a bad review for her literary works, and contemptuous of genre fiction, Hannah searches desperately for a plot. Could she use the unfolding drama in the small town? Maybe if she follows the clues it will inspire her? She gives little thought to the sensitivities of those involved and if she were staying in an Airbnb should wouldn’t receive any accolades as a guest. Ella is amazingly forgiving until Hannah breaks into her host’s locked study! What was she thinking? Actually she was looking for alcohol – something she relies on more than she’d care to admit.
In fact her quest for drinks leads her to the “local” where she meets to local police officer (the town only has one), Viktor and then his wife. The bar owner is a source of the town’s recent history and the personalities involved. But another regular, an enigmatic woman with a slobbering dog is less forthcoming. Hannah is determined to discover the truth about what happened and her sense of superiority makes her impervious to reason thus putting herself and others at risk.
Jenny Lund Madsen has created a spider’s web of a plot that leaves her rather unlikeable protagonist at risk. Hannah does have some redeeming features as you will discover as the author plays with our expectations and pulls the strings of our emotions. As the plot gathers momentum and the dangers accumulate, the breathtaking dénouement of what is the first in a series, is explosive. I’m intrigued to know what Hannah does next.
Thirty Days of Darkness is published by Orenda Books and is available online and from bookshops.
